ENGLISH'S ANTIQUE FURNITURE PERIODES Part 2

English Periode is very interesting for Antique furniture history, th.e styles is very beautiful. This Article continued the previous same title about English Periode.

WILLIAM AND MARY
More foreign craftsmen (Dutch and French) I arrived in Britain following the accession of William of Orange and his wife Mary, the daughter of James II, in 1689. Fine cabinetmaking, walnut and ebony veneers and floral. Legs are turned to trumpet shapes or scrolled and scroll develops into cabriole leg by the end of William's reign in 1702.

QUEEN ANNE
During her reign, 1702- I 4, the cabriole leg donated; surfaces were veneered with walnut, but marquetry became less evident. English craftsmen, having acquired foreign skills, adapted these to their own style.

EARLY GEROGIAN
George I and early years of George II until about 1730; mainly a continuation of the Queen Anne style, but rather heavier. Claw-and-ball feet became the fashionable termination of the cabriole leg. Architect William Kent designed Italianate baroque furniture as a dramatic contrast to cool Palladian interiors.

MID GEROGIAN
George I, 1730-60 and the first year's of George III. Mahogany replaced walnut as the fashionable wood. In 1754, Chippendale's designs appear; Rib bon-back chairs, ornate gilt mirrors and con sole tables expressed the English interpretation of rococo. Some designs loosely followed French (Lou is XV) fashions. Gothic style revived.

LATE GEROGIAN
The George III period lasted from 1765 to I 1800, but the term is sometimes extended back to 1730. First came the neo-classical style led by Adam - vertical lines, ovals, circles, columns, urns, disciplined carving, gilding and painting related to the Louis XVI style. Those of Sheraton 1791-4, providing a domestic, middle-class version of neo-classicism.

EARLY VICTORIAN
Much furniture made in 1830-50 was still neoclassical, but heavier than Regency; some affinity with Charles X (French Restoration). Paralleled with this are the Gothic revival led by Pugin and the rococo revival by commercial manufacturers making balloon-back chairs, asymmetrical chaises lounges on cabriole legs. Increasing use of machines.

MID VICTORIAN
The Great Exhibition at Crystal Palace, 1851, brought Continental exhibitors to London, stimulating an eclectic taste for revivals of almost all historic styles, and imitated in poorer quality, mass-produced furniture. Mass dining and bedroom suites; but parlor pieces more elegant, with some sofas and chairs fringed and deep-buttoned in Napoleon III style. There were serious attempts at reviving medieval craftsmanship by reformers, such as Morris. Burgess, Talbert. Godwin who experimented with Japanese concepts.

LATE VICTORIAN
Heavy Victorian styles persisted until about 1910, along with reproductions of English, French and Italian historic types, but the Arts and Crafts Movement, led by Mackintosh, Ashbee, Baillie Scott and Voysey introduced new ideas in sympathy with some aspects of European art nouveau, to which are often married commercial products that are partly an offshoot of the Edwardian revival of Sheraton styles in mahogany with inlaid decoration.

MODERNIST AND ART DECO
The period between the two world wars, starked by genuine desire for greater I simplicity and honest, economically made furniture of the type produced by Heal and Russell, but in competition with mass-produced junk on the one hand and finely made but ex pensive products on the other. The term Art Deco - like most stylistic labels - was unknown at the time the furniture was being made. It derives from the 1925 Arts Decoratifs exhibition in Paris, and only came to be applied to the style in the 1960s.